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  • The first moments of work, for instance, are crucial to establish a good link.
  • IN INCA WE ARE AWARE THAT THE SAME EXERCISE CAN HAVE VERY DIFFERENT GOALS AND REACTIONS DEPENDING ON THE TRAINER FACILITATING THE EXERCISE AND THE CONTEXT IN WHICH IT IS PROPOSED. 
    Inca Kit 2.0
  • The path of a training, its elements, its agenda, are structured, but they are subject to change and this is feature of its development.
  • Participants can renew and discover something innovative about themselves, something they did not know before.
    Inca Kit
  • An idea that has no place to sit is able to make the revolution.    
    Leo Longanesi
  • HOWEVER,FOR INCA,THE CONTINUOUS PARTICIPATION, PRESENCE AND AVAIL- ABILITY OF THOSE INVOLVED IS KEY TO OUR NETWORK – ACTIVE, NOT PASSIVE INVOLVEMENT. 
    Inca Kit 2.0

ART AND CREATIVITY IN INTERCULTURAL TRAINING
Training e-manual on Theatre, Video and Creativity in International Trainings.
Project funded by the European Youth Foundation of the Council of Europe.
INCA Tool Kit 2.0

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